Parastuti Parastuti, Suparji Suparji, Tri Rijanto, Suyami Suyami, Hidayat Roch Aris, Refisrul Refisrul, Ajisman Ajisman, Basori Basori
Jennifer Kent's "The Babadook" is famous for its portrayal of psychological horror and the complexities of grief. This study analyses the film through the lens of monster theory, focusing on the Babadook as a metaphor for psychological turmoil. Using psychoanalytic frameworks, the writers analyze the protagonist, Amelia's journey as she confronts her inner demons and symbolism within the film. The study examines how the Babadook symbolizes Amelia's repressed emotions and the manifestation of her grief over the loss of her husband. The novelty of this study lies in its interdisciplinary approach, combining insights from monster theory, psychoanalysis, and gender studies to provide a comprehensive analysis of "The Babadook." The study uncovers layers of meaning beneath its surface-level horror elements. This study contributes to a deeper understanding of how horror cinema can serve as a vehicle for exploring complex psychological themes and societal anxieties. The film portrays horror elements such as a monsteras a metaphor, psychological dread and paranoia, mother-child tension, and unresolved ambiguity. The significance of this study extends beyond academic discourse, offering insights into the human experience of grief and trauma depicted in the film. The study provides a framework for understanding how individuals confront and overcome psychological struggles in the face of adversity. This study underscores the enduring relevance of "The Babadook" as a cinematic masterpiece that transcends its genre boundaries to offer profound insight into the human condition. © 2025 Sciedu Press. All rights reserved.
Universitas Negeri Surabaya, Indonesia; Pusat Riset Manuskrip Literatur dan Tradisi Lisan, BRIN, Indonesia
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